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Supporting young talent in the SFX fieldMakeup & Theatrical SFX Blood
When you think blood and gore, you must be thinking Kensington Gore blood from Mouldlife | PS. With three variations (Arterial, Venial and Aged), these theatrical grade stage bloods with their strong fresh colours are exactly what you need to create that lifelike blood and gore feel. Professionally used in the film industry and recognised as the standard of high quality, they are mouth safe (although we advise not to swallow it) and easily wash off your skin.
We also stock drying bloods, like the Fleet Street range from PPI for a slightly older aged blood scene.
We also offer some of the bestselling makeup brands available in the market for your makeup kits. Names such as PPI and their wide range of Skin Illustrator colours and additional must-haves like Green Marble and Blue Marble are all in this section and a must have for any professional or aspiring SFX makeup artist. Alongside the PPI range are names such as Kryolan and Maqpro with strong foundation colours and fantastic palettes that last well and give you so much when needing certain looks.
P.T.M's custom coated, double-sided release film is designed to release from Prosthetic Transfers with ease and minimal confusion unlike other one-sided release films.
Pigment packs starting at 25g per colour up to 100g packs
P.T.M. Light Flesh tone has a more natural look compared to our Pink 5. This tone blends more naturally with most Caucasian skin tones straight out of the jar and creates a lesser need for paint over the top.
A cream remover that liquefies on skin contact.
Get-It-Off is an oil-free liquid, perfect for removing Pros Aide and 'Bondo' type adhesives.
Flat moulds by Stuart Bray are ready to use moulds that can be filled over and over to create your own prosthetics. This particular mould is to recreate a human bite wound.
Flat moulds by Stuart Bray are ready to use moulds that can be filled over and over to create your own prosthetics.
Flat moulds by Stuart Bray are ready to use moulds that can be filled over and over to create your own prosthetics.
To create wrinkles, simply brush onto stretched skin. You can build stronger wrinkles with more layers.
Flat moulds by Stuart Bray are ready to use moulds that can be filled over and over to create your own prosthetics. This particular mould is used to recreate a laceration to the throat.
Flat moulds by Stuart Bray are ready to use moulds that can be filled over and over to create your own prosthetics. This particular mould is used to recreated a more severe cut throat, exposing the larynx and some sliced veins.
This Hair & Beard | Light palette includes: Silver, Bleached, Honeycomb, Papyrus, Ashes, Gold, Pale, Sand, Auburn, Mud.
This Skin palette includes: W2, C4, W9, Black Coral, W1, C2, C5, Ebony, N1, W3, W5, Espresso.
Flat moulds by Stuart Bray are ready to use moulds that can be filled over and over to create your own prosthetics. This particular mould is to recreate a permanent frown.
A lightweight and extremely durable, transparent set bag. Available in small or medium.
A lightweight and extremely durable, transparent set bag. Available in small or medium.
Flat moulds by Stuart Bray are ready to use moulds that can be filled over and over to create your own prosthetics. This particular mould is to recreate a gun shot wound. Use in conjunction with GSW#2 to create a convincing entry and exit scenario.
Flat moulds by Stuart Bray are ready to use moulds that can be filled over and over to create your own prosthetics. This particular mould is used to recreate a gun shot wound. An ideal accompaniment to GSW #1 to create entry and exit wounds, but is subtle enough that it can also be used by itself
Flat moulds by Stuart Bray are ready to use moulds that can be filled over and over to create your own prosthetics. This particular mould can be used to recreate an incision.
Flat moulds by Stuart Bray are ready to use moulds that can be filled over and over to create your own prosthetics. This particular mould is to recreate an infected wound.
Flat moulds by Stuart Bray are ready to use moulds that can be filled over and over to create your own prosthetics. This particular mould can be used to recreate a laceration
Flat moulds by Stuart Bray are ready to use moulds that can be filled over and over to create your own prosthetics. This particular mould can be used to recreate an open fracture.
P.T.M. Clear tone provides you the option to reduce the opacity of our flesh tones to give you that perfect blend between colour and transparency.
P.T.M. Dark Flesh tone works best with nearly all darker skin tones. The slightly reddish undertone makes for a more natural looking paint while the brown tone allows for seamless blending.
P.T.M. Dead Flesh may be the closest thing to actual rotten flesh as you’re going to want or need. With minimal makeup needed and quick application process, you can have zombies running in no time.
P.T.M. Olive tone blends great with various types of warm skin tones and/or skin tones considered to be light tan in colour.
Flat moulds by Stuart Bray are ready to use moulds that can be filled over and over to create your own prosthetics. This particular mould can be used to recreate a ripped suture.
Flat moulds by Stuart Bray are ready to use moulds that can be filled over and over to create your own prosthetics. This particular mould can be used to recreate scratches.
The Skin Illustrator Alchemy Palette consists of bright metallic colours was designed to simulate precious liquid metals. This palette is perfect for beauty, fantasy and special effects make up.
The Skin Illustrator Complexion Palette gives you a wider range of ways to fine-tune your make-up. These colours are ideal for beauty, character and SFX make-up.
